used my creative potential in scientific, presentation, educational and tourism purposes as one of the brightest examples of how to keep your heritage from forgetfulness**more than just physical healing a broken heart, bitterness, frustration, questions,confusion, and dark memorie.
Finallyfinishedmylatest work,of course it's not allperfectin the creationifthis is not thewood thatisproperlyprepared;thewrongfinishwith sandingmachineorpaper, woodisveryoldprobablyfromoldlaths(athinflatstripofwood,especiallythoseofaseriesformingafoundationfor theplasterofawallorthetilesofaroof,ormadeintoatrellisorfence.) Whythismotive,inexplicableresponse*It's a bitrough withfine..
in addition tospending timethere is apower consumptionas well astools,do not dothisevery daystillneed tochoose adry treeanda specificmotive.In the neighborhood,I'm not surehow manywomen areturning totheseworkswith woodand complexityof creation;this is nota competitionto proveskillsbecause I'm nota forester,notafishermanor carpenter.What is the sizeandweight;Idid notscale,I must figure outhowI'm goingto puton thewall..andif Iwasto appropriatefor itself.
but an artist must develop specific skills to carve it properly
interesting visual and tactile effects. The surface texture may be manipulated by sanding, scraping, scorching, weathering, or leaving it just as it came from the shaping. Processes such as sanding or rasping have one sort of effect, while cutting (planing, chiseling, gouging, or other carving)